Näytetään tekstit, joissa on tunniste Tietotekniikka. Näytä kaikki tekstit
Näytetään tekstit, joissa on tunniste Tietotekniikka. Näytä kaikki tekstit

tiistai 10. marraskuuta 2026

Ei tiije kukkaa / Nobody Can Say

 

Ei tiije kukkaa

Ei tiije kukkaa
vieraan mukkaa sannoa,
kus läns, kus itä.
© Yelling Rosa
2026-11-09


Nobody Can Say

Nobody can say
Where is the west, where the east
When the odd man in.
© Yelling Rosa
2026-11-09


Nobody Can Say

Nobody can say
Where’s the west, where is the east
When the odd man in.
© Yelling Rosa
2026-11-09


AI Summit:


Key Characteristics & Structure


  • Traditional Syllable Count: In English, a haiku is typically structured as a three-line unrhymed poem with a 5-7-5 syllable pattern (5 syllables in the first line, 7 in the second, and 5 in the third). In Japanese, it is measured in 17 phonetic units called on (or morae), traditionally written in a single vertical line. [1, 2, 3, 4]

  • Seasonal References (Kigo): Traditional haiku include a word or phrase that hints at a specific season (such as cherry blossoms for spring or cicadas for summer). [1, 2]

  • Cutting Word (Kireji): A punctuation or verbal "cutting word" is often used in Japanese haiku to create a structural or emotional pause between two contrasting images. [1, 2]

  • Focus on Observation: Rather than directly stating the poet's inner feelings or emotions, a haiku presents a crisp, concrete sensory image that lets the reader experience the moment themselves. [1, 2, 3]



Major Japanese Haiku Associations & Groups


  • Association of Haiku Poets (俳人協会 - Haijin Kyōkai): Founded in 1961 by poets who separated from the Modern Haiku Association, this is one of Japan's most prominent professional associations for haiku poets and manages the Museum of Haiku Literature in Tokyo. [1]

  • Hototogisu (ホトトギス) Group: Centered around the historic and influential haiku magazine Hototogisu, this group traces its lineage back through key figures like Takahama Kyoshi and Masaoka Shiki, serving as one of the country's most enduring traditional haiku institutions. [1]

  • Go Gawa Poetry Club (五側): A famous Edo-period poetry club from early 19th-century Japan where members and artists composed verses for illustrated surimono (private woodblock prints), known for having met over 1,600 times by 1836. [1]

  • Matsuyama Haiku Community: Matsuyama City in Ehime Prefecture is famously known as a modern "haiku capital" (the hometown of pioneer Masaoka Shiki). It features active local haiku networks, public haiku drop-boxes (postboxes), and a unique culture of "haiku bars" where patrons write verses in exchange for custom drinks. [1, 2, 3]


My Afterwords


My haiku is not purely traditional, as almost every haiku written in the Western world today isn't. Still, particularly in Japan, poetry clubs keep the traditional way of writing haiku, see above.

 

My Ingrian version is a bit like a haiku. The English version isn't as good as the Ingrian version, because the translations almost every time stay cripple. To make it work like the Ingrian one, I should keep only the idea alive, but that wouldn't make sense in this context. With the totally altered English version, no reader knows what the Ingrian version says. Moreover, Google Translate could not translate any Ingrian text into any language. For a short time, I thought I would give you only the English words of my Ingrian verse, but I realized that wouldn't make any more sense in this case.


"Kukkaa" can mean "nobody" or "flower." 'Kukkaa' is in the nominative case (Dictionary form) when we think it means nobody, and 'kukkaa' is in the illative case when it represents a flower. Its nominative form is 'kukka'.


From the Wiktionary:


Ingrian


Kukat (1).

Etymology

From Proto-Finnic *kukka. Cognates include Finnish kukka and Karelian kukka.

Pronunciation

Noun

kukka

  1. flower

  2. synonym of sapana

Declension

Declension of kukka (type 3/koira, kk-k gradation)


singular

plural

nominative

kukka

kukat

genitive

kukan

kukkiin

partitive

kukkaa

kukkia

illative

kukkaa

kukkii

inessive

kukas

kukis

elative

kukast

kukist

allative

kukalle

kukille

adessive

kukal

kukil

ablative

kukalt

kukilt

translative

kukaks

kukiks

essive

kukkanna, kukkaan

kukkinna, kukkiin

exessive1)

kukkant

kukkint


sunnuntai 8. marraskuuta 2026

Miun mätökset / My Funeral

 

Miun mätökset

Miun mätöksii
ei tye kuin
viluine tuulo.
Jos hää sille
päälle apihuu.
© Yelling Rosa
2026-11-07

 

My Funeral

To my funeral,
no one will come
but a cold wind—
if it happens to be
in the mood.
© Yelling Rosa
2026-11-07

 

Noun

mätökset (plural only)

  1. synonym of hautajaiset (“funeral”)

Verb

apihua

  1. (intransitive) to succeed

Conjugation

Conjugation of apihua (type 1/ampua, no gradation)

References

  • Ruben E. Nirvi (1971), Inkeroismurteiden Sanakirja, Helsinki: Suomalais-Ugrilainen Seura, page 1

Nirvi

ɑpihuɑ/, [ˈɑb̥iˑˌhuɑˑ]
= onnistua, sattua (tulemaan, olemaan, saamaan)

 

 


maanantai 28. syyskuuta 2026

English-Italian-Interlingua Table

 

A Pissed-off Man



 

English

Italiano

Interlingua

I want to know who you are.

Are you a good or evil person?

Voglio sapere chi sei.

Sei una persona buona o cattiva?

Io vole saper qui tu es.

Es tu un bon o mal persona.

The stars shine in the night sky.


Le stelle brillano nel cielo notturno.

Le stellas brilla in le nocturne celo.

Which constructed language would be best to choose?

Quale lingua costruita sarebbe meglio scegliere?

Qual lingua construite esserea le melior seliger?

I am very busy nowadays.

Al giorno d'oggi sono molto impegnato.

Io es multo occupate hodie.

This man is pissed off.

Quest'uomo è incazzato nero.

Iste viro es irate.

A pissed-off man.

Un uomo incazzato nero.

Un homine irate.

© Yelling Rosa
2026-09-28


Interlingua

From Wikipedia, the free encyclopedia
 
Interlingua (/ɪntərˈlɪŋɡwə/, Interlingua: [inteɾˈliŋɡwa]) is an international auxiliary language (IAL) developed between 1937 and 1951 by the American International Auxiliary Language Association (IALA). 
 
Read the whole article here. 

keskiviikko 19. elokuuta 2026

The Twenty Most Common Verbs in the Italian Language

 AI Summit

The twenty most common verbs in the Italian language include foundational auxiliary and action words like essere (to be) and avere (to have), which form the backbone of daily communication and make up a massive share of spoken Italian. [1, 2]

Top Auxiliary and Core Verbs

  • Essere — To be

  • Avere — To have

  • Fare — To do, to make

  • Stare — To stay, to be

  • Dire — To say, to tell [1, 2]

Modal and Mental Verbs

  • Potere — Can, to be able to

  • Volere — To want

  • Dovere — Must, to have to

  • Sapere — To know (facts)

  • Conoscere — To know (people, places)

  • Pensare — To think [1, 2, 3]

Movement and Sensation Verbs

  • Andare — To go

  • Venire — To come

  • Vedere — To see

  • Sentire — To hear, to feel

  • Trovare — To find [1]

Common Action Verbs

  • Dare — To give

  • Parlare — To speak

  • Prendere — To take

  • Mettere — To put


    Below is a table with the same twenty verbs also translated into Ido

    Italiano

    English

    Ido

    andare

    to go

    irar

    avere

    to have

    havar

    conoscere

    to know (people, places)

    konocar

    dare

    to give

    donar

    dire

    to say, to tell

    dicar

    dovere

    must, to have to

    devas

    essere

    to be

    esar

    fare

    to do, to make

    facar

    mettere

    to put

    pozar

    parlare

    to speak

    parolar

    pensare

    to think

    pensar

    potere

    can, to be able to

    povar

    prendere

    to take

    prenar

    sapere

    to know (facts)

    savar

    sentire

    to hear, to feel

    sentar

    stare

    to stay, to be

    standar

    trovare

    to find

    trovar

    vedere

    to see

    vidar

    venire

    to come

    venar

    volere

    to want

    volar

     

    Perplessità = Perplexity = Perplexeso = Hämmennys (fin)


     

     



 

maanantai 3. elokuuta 2026

Моё место не здесь - I Don’t Fit in Here

 

The poem below has been read 583 times on my Blogger forum, even though I haven't made it my first open post. I've been thinking about composing a poem, for which I've written down the syllables of lyrics. For that work, I used an application called Texter. The future will tell me how much of the text needs to be changed and/or whether I can find a melody for it.
Here is the link to the Blogger post where this poem also published in English.
 

Я сижу в кафе,
но тебя не хочу
мешать.
Смотрю мимо
тебя и думаю,
почему гора
между нами.
Это место твоего отца,
кто не любит пролетарских
писателей,
а ты его маленькая
девочка.
На улице
идёт дождь,
здесь внутри
снег.
Мне пора
идти.

Я си-жу в ка-фе,
но те-бя не хо-чу
ме-шать.
Смо-трю ми-мо
те-бя и ду-ма-ю,
по-че-му го-ра
меж-ду на-ми.
Это ме-сто тво-е-го о-тца,
кто не лю-бит про-ле-тар-ских
пи-са-те-лей,
а ты е-го ма-лень-ка-я
де-воч-ка.
На у-ли-це
и-дёт дож-дь,
здесь вну-три
снег.
Мне по-ра
ид-ти.

© Yelling Rosa
2019-03-09

 

 
Prole Writer by Yelling Rosa 2019

torstai 2. heinäkuuta 2026

I Wait for Autumn; Sed autumnum expecto

 I Wait for Autumn

After winter comes summer,
But I wait for autumn.
Then proud people
Will be less proud.

© Yelling Rosa
2026-07-02


 Sed autumno expecto

Post hiemem aestas sequitur,
sed autumnum expecto.
Tum homines superbi
minus superbi erunt.
© Yelling Rosa
2026-07-02

 

 

torstai 7. toukokuuta 2026

I Have Done My Best - Jag har gjort mitt bäst.

Here is my latest ballad (2026-03-24). The lyrics and melody are mine. The singer and accompaniment are by Suno.ai. Since Suno.ai is not a notation program, the melody is sent to it as an MP3 or wave file. Then Suno.ai is told the intros, solos, and endings. It does this by browsing its vast music library. Sending your own melody is not necessary, i.e., Suno.ai can do that too, but your own melody creates a sense of personality.

I have written the lyrics in Swedish. 

Please, start the video ‘I Have Done My Best’ below by clicking the white arrow.


 

 

I Have Done My Best

Why should I fear death?
I have done my best,
And it has not been enough.

Now is my time to unite
With the eternal voidness
From the earthly voidness
without opening my eyes.
© Yelling Rosa
2025-06-29

Note

Many people look down on people who use AI programs. Yet in my case, when I give the melody and the lyrics, I do the same things as when I have gone into the studio and sung the vocal part myself. The studio musicians have done the arrangements. I myself draw the line at using AI without any of my own input.

Many famous poets have had their poems composed, but not unknown ones. AI gives this kind of opportunity, which is a good thing. The art world is a rough battlefield, where grants and other opportunities are obtained through relationships. People who have come forward in this way are not necessarily better than those who have been left behind. Of course, when it comes to superior talent, he cannot be sidelined even if he has no relationships.

Suno.ai accepts in square brackets:

Here are the types of words and commands Suno.ai accepts in square brackets:

1. Song Structure & Sections

These tags help organize the flow of the song. 

  • [Intro] / [Instrumental Intro]
  • [Verse] / [Verse 1], [Verse 2]
  • [Chorus] / [Chorus 1]
  • [Pre-Chorus]
  • [Bridge]
  • [Chorus: Interlude]
  • [Drop] / [Epic Drop] / [Beat Drop]
  • [Solo] / [Guitar Solo] / [Saxophone Solo]
  • [Outro] / [Fade Out] / [End]
  • [Interlude] 

2. Vocal Styles & Techniques

These instruct the AI on how to deliver the vocals. 

  • [Whispered] / [Whispered Intro]
  • [Spoken] / [Spoken Word] / [Conversational]
  • [Shouted] / [Gang Shouts] (common in punk/rock)
  • [Screamed] / [Harsh Vocals]
  • [Ad-libs] / [Vocal Ad-libs]
  • [Harmony] / [Layered Vocals]
  • [Female Vocal] / [Male Vocal] (to switch singers)

3. Instrumentation & Vibe

These define the musical accompaniment for specific sections. 

  • [Acoustic] / [Piano Only]
  • [Heavy Guitar] / [Distorted]
  • [Drum Break]
  • [Bass Drop]
  • [Atmospheric]
  • [Fast Tempo] / [Slow]

4. Advanced/Combined Tags

You can combine instructions for more precise control. 

  • [Verse 2 - Emotional, soft]
  • [Chorus - High energy, piano]
  • [Bridge - Distorted spoken]

Best Practices for Brackets

  • Keep it simple: Too many words can confuse the AI or cause it to sing the instructions.
  • Structure vs. Style: Use brackets [ ] for structure/instrumentation, and parentheses ( ) for vocal delivery or background vocals.
  • Placement: Place tags on their own line before the lyrics they apply to. 

Note: While Suno often obeys these tags, they are not guaranteed to work 100% of the time, functioning more as suggestions to the AI model.